Mostly, I spend more time looking at and appreciating the paper of an artifact than I do the information on it. I can’t deny that I love the artwork, the history, the stories that people bring to me to fix, but once I commence to working, it’s the paper fibers themselves that fascinate me. If there is paint or ink, it’s the ways those media are entangled in the fibers that absorbs my attention.
I love this part: ““I describe the paper [Barrett-made paper] to the students,” Galvin says, “and I talk about the care, knowledge and aesthetic wisdom that went into making it. Then I tell them to go home and write something on it that makes it more interesting than it is when it’s blank.”