Emergency Salvage Response App from Heritage Preservation

6 06 2015
Wondering what to do when your treasures get wet? Here’s a handy Emergency Response and Salvage app from Heritage Preservation: http://www.heritagepreservation.org/wheel/

Scrolling down from the screen shown below, you can select from a list of object types, including books and paper, framed art, photographs, textiles, stone, metal, furniture, and so on. Here is what you are shown if you select books and paper:

“Books
If rinsing is necessary, hold book closed.
Partially wet or damp:
Stand on top or bottom edge with covers opened to 90-degree angle.
Air dry.
Very wet:
Lay flat on clean surface.
Interleave less than 20% of book with absorbent material.
Replace interleaving when damp.
If too many books to air dry in 48 hours:
Wrap in freezer or waxed paper.
Pack spine down in sturdy containers.
Freeze.
Paper
Air dry flat as individual sheets or small piles up to 1/4″. Interleave; replace interleaving when damp.
Do not unfold or separate individual wet sheets.
If too many items for air drying
Interleave (by groups or individually) with freezer or waxed paper.
Pack papers or files supported and standing up in sturdy containers; pack containers only 90% full.
Freeze.”

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Saving Family Treasures: Press Release from Heritage Preservation

13 09 2013

For Immediate Release

September 13, 2013

 

For Information Contact:

Lori Foley

(781) 259-8652

lfoley@heritagepreservation.org

 

 

Advice for Saving Damaged Family Treasures

Follow these steps to halt further damage

As the threat of flash flooding persists in Colorado, residents in affected towns and cities are being urged to seek higher ground. When the flooding ends, residents will begin the long journey of recovery. With homes flooded and lives upended, treasured possessions such as family heirlooms, photos, and other keepsakes become more cherished. Unless they are contaminated by sewage or chemicals, these treasures can be saved. The Heritage Emergency National Task Force, a coalition of 42 national organizations and federal agencies co-sponsored by FEMA and Heritage Preservation, offers these basic guidelines from professional conservators for individuals who discover their family treasures have been damaged:

  • Safety First! With any disaster there may be health risks. Wear long sleeves, sturdy shoes, and plastic or rubber gloves during cleanup. Protective gear such as goggles and a fitted face mask is recommended if there is mold.

  • Prevent Mold. Mold can form within 48 hours; you will need to work fast. The goal is to reduce the humidity and temperature around your treasures as you proceed to clean and dry them. If you do encounter extensive mold, use protective gear such as gloves, goggles, and an N100 face mask, available at most hardware stores.

  • Air-Dry. Gentle air-drying is best for all your treasured belongings—indoors, if possible. Hair dryers, irons, ovens, and prolonged exposure to sunlight will do irreversible damage. Increase indoor airflow with fans, open windows, air conditioners, and dehumidifiers.

  • Handle with Care. Use great caution in handling your heirlooms, which can be especially fragile when wet. Separate damp materials: remove the contents from drawers; take photographs out of damp albums; remove paintings and prints from frames; place paper towels between the pages of wet books.

  • Clean Gently. Loosen dirt and debris on fragile objects gently with soft brushes and cloths. Avoid rubbing, which can grind in dirt.

  • Salvage Photos. Clean photographs by rinsing them carefully in clean water. Air-dry photos on a plastic screen or paper towel, or by hanging them by the corner with plastic clothespins. Don’t let the image come into contact with other surfaces as it dries.

  • Prioritize. You may not be able to save everything, so focus on what’s most important to you, whether for historic, monetary, or sentimental reasons.

  • Can’t Do It All? Damp objects and items that cannot be dealt with immediately should be put in open, unsealed boxes or bags. Photos, papers, books, and textiles should be frozen if you can’t get them dry within 48 hours.

  • Call in a Pro. If a precious item is badly damaged, a conservator may be able to help. Be sure to collect broken pieces. Set your treasure aside in a well-ventilated room until you find professional help. If a precious item has been exposed to contaminated water, seek a conservator’s advice on salvaging it; your health and safety, and that of your loved ones, is of utmost importance. To locate a conservator, click on the “Find a Conservator” box on the home page of the American Institute for Conservation, www.conservation-us.org.

A free, online video guide demonstrating how to rescue soaked photographs, books, documents, and other valued items is available from Heritage Preservation. This 10-minute streaming video provides professional advice that benefits families as well as museum and library staff. View and link to the video at:

http://www.heritagepreservation.org/PROGRAMS/WaterSegmentFG.HTM

Additional resources for salvaging flood-damaged materials as well as a copy of this press release and the Task Force logo can be found here: http://www.heritagepreservation.org/PROGRAMS/flood.html

These recommendations are intended as guidance only. Neither the Heritage Emergency National Task Force nor its sponsors, Heritage Preservation and FEMA, assumes responsibility or liability for treatment of damaged objects.

_________________________

 

Heritage Preservation (www.heritagepreservation.org) is a national non-profit organization dedicated to preserving the cultural heritage of the United States. By identifying risks, developing innovative programs, and providing broad public access to expert advice, Heritage Preservation assists museums, libraries, archives, organizations, and individuals in caring for our endangered heritage.

 

Heritage Preservation is co-sponsor with the Federal Emergency Management Agency of the Heritage Emergency National Task Force, a partnership of 42 national service organizations and federal agencies created to protect cultural heritage from the damaging effects of natural disasters and other emergencies.

 

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Sometimes The Paper Talks To You

27 03 2010

I  like the meditation of working silently focused on a document, finding the right texture of paper for a fill, fiddling around with acrylic paints to tone it the right color, creating a tiny beveled edge and pasting the mend in so it fits just so.  Often, I am looking and thinking so much about the paper fibers, the way the pigment is laid onto the weave, the way the tear is broken, that I don’t really notice what the art portrays, or what the document says.

Sometimes, the work is going smoothly and I allow my mind to wander a bit.  Today was such a day, and when I found myself remembering a bunch of Yiddish words, turning them over in my mind, I was a bit puzzled. I haven’t heard Yiddish spoken since I was a teenager.  No one in my life now speaks Yiddish, but there they were: “Hey, schmendrick, what are you doing?  Are you meshugana?  What’s this mishegas?”  (Translation: Hey, moron…are you nuts?  What’s this craziness? – I’m not sure why my inner Yid is so insulting…)

Then I realized.  I am working on a Ketuba.  A Jewish marriage certificate.  Aha! The subject matter creeps in, even when you think you aren’t paying attention.  I spend a few minutes thinking about family long gone, and turn back to the mending.





Get Out Your Umbrellas

30 06 2009

It’s going to be raining loose pages.  The Espresso Book Machine, available for lease for a mere $1500/month to bookstores everywhere (according this Boston Globe article) prints, trims and perfect binds books on demand all in a machine about the size of an old-style copy machine.  No fanning of pages, just milling on one pass and rollering glue on another.

I, for one, will be working on my dfa rebind skills.  I predict a repeat of the early days of binding – people will buy an unbound book and bring it to US for fancifying for their shelves.

Or not.  My library is about to embark on a book digitization project for which we do not have to pay, and I’m pretty sure the resulting POD books will be created in a manner similar to this.  Do I have the ability to influence the way in which they are bound?  Probably not.  Will I reject the project? Nope.

Here is an interesting blog post from IF on the topic, the most intriguing aspect of which, to me, is the possibility of personal customization of book covers.

And here is what Gary Frost has to say.





A Visit To CinemaLab

10 03 2009

A few weeks ago I went over to CinemaLab to visit with Robert David, motion picture film preservationist extraordinaire, about our pending NFPF Basic Film Preservation grant. I took along a box full of 16mm reels, 1926-1936, depicting first ascents in the Canadian Rockies, which film preservation specialist Snowden Becker had wound on new cores and placed in new canisters way back in August.

Robert was gracious enough to show me around their enormous space, and I fell in love with all the machines. I do not know film production, but I certainly enjoyed looking at all the gears and reels and lights and gadgets. You can enjoy them in a small slideshow, if you like.





My Alma Mater

10 12 2008

Here is a video about the Kilgarlin Center for Preservation of the Cultural Record, recently posted on the University of Texas website.  I’m so proud!

Images from the Kilgarlin Center website

Images from the Kilgarlin Center website





By Request: Tape is Evil Apron now available

27 11 2008

You asked for it, you got it: more Tape is Evil products.  And…cheaper!

Let me know if you want any other kind of thing – well, maybe not cars, or bags of money or whatnot, but things with Tape Is Evil printed on them.

Happy Thanksgiving!








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